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Our main concert for the 2016/17 is a performance of one of the greatest choral works of all time, Georg Friedrich Handel's Messiah. Messiah is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.

 

Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus as the Messiah called Christ. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only "scene" taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the "Hallelujah" chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven.

 

 

Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards reproducing a greater fidelity to Handel's original intentions, although "big Messiah" productions continue to be mounted. A near-complete version was issued on 78 rpm discs in 1928; since then the work has been recorded many times.

 

The concert is on Saturday 8th April at 19:30 in Ely Cathedral. The concert will take place in the cathedral nave to maximise the benefits of performing in that magnificent building. The soloists will be Elisabeth Rauch (soprano), Helen Charlston (mezzo-soprano), Oliver Martin-Smith (tenor) and William Gaunt (bass). The choir will be accompanied by the Ely Festival Orchestra, with Helen Medlock (leader). The organist will be Edmund Aldhouse and the conductor is Andrew Parnell.

Tickets are priced at £25, £20, £15, £8 and under 18s £5. Tickets are available from the Cathedral Box Office, by calling 01353 660349, by visiting http://tickets.elycathedral.org or by e-mail to tickets@elychoralsociety.org.uk

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